DSLR had a central hub from which the campaign unfolded.
The hub was designed to connect various practitioners of reclamation as well as initiate a critical dialogue about the building of a radical aesthetic/arts movement in Chicago and beyond. The Butcher Shop, a converted warehouse, served as a hub and meeting spot for the events. Graffiti by local artists blanketed the walls of the space, which also included a floor-to-ceiling art gallery with collages of wheatpasted posters and photos of graffiti and other public art from around the country.

             

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DSLR consisted of 59 reclamation projects and over 100 organizers.
Each project was carried out over the weekend and posted with a flag on the DSLR campaign map of Chicago upon completion. Video documentation was edited at the hub and presented on a wall of 24 monitors. The hub included stickers, posters, wheat paste tools, spray paint and documentation.

             

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Guerrilla Love Radio (107.lFM) broadcasted out of the space,
with the mic open to anyone who chose to take it. We wanted to create an atmosphere akin to a campaign headquarters w here the city begins to look like something we can physically take back. The HQ also had couches, lending libraries, project space, documentation and free food for participants and supporters.
             

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Reclaiming of land and space took place in literal, symbolic and psychological forms in the various projects. The physical reclaiming of space took place through things like stickers and graffiti. The symbolic reclaiming of power happened through political messages about consumerism and democracy. Overall, artists claimed psychological rebellion against the homogenization of culture and the social norms that suppress things like spontaneous creativity, freedom of expression and public displays of affection.

             

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There were panels throughout the weekend that addressed public space,
concepts of public art, and the politics of privatization. The panels included members of The University of Hip Hop, Queer to the Left, and Temporary Services, among others.
             

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DSLR brought together activists, artists, youth organizers,
academics, and anyone who wanted to either participate or watch. The hub was a hive of activity for the entire weekend, around the clock.
             

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After the weekend the hub was well decorated by all types of artists.
             

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